A BRIEF INTRODUCTION TO WATER GILDING TECHNIQUES AND MATERIALS IN RESTORATION AND CONSERVATION

Carving and gilding may be a practice of which you are not completely familiar. The two crafts are often mentioned together but they are separate disciplines, which take a great deal of practice and discipline to execute well.

The practice of gilding is not new and evidence of the technique can be dated back to around 2300 BC whereupon gold leaf had been used to decorate both wooden and metal items in the Egyptian tombs. This is not to be confused with earlier techniques of gold metalwork and it should be noted that the practice of gilding may stretch back beyond this date.

Why did people gild? To simulate the appearance of solid gold. It is obviously so much more efficient and cost-effective to produce a gold surface using a thin layer of gold leaf. Gold leaf was originally manufactured by hand. Skilled artisans would beat the gold from a solid piece into a leaf. Modern techniques have surpassed this whereby the gold is melted to produce bars. These are passed through a series of rollers until a thin gold foil ribbon is produced. The gold ribbon is then cut into squares which are put between lightly dusted paper sheets. These sheets are then subjected to two beating processes using special calfskin hammers before being checked, cut into usable sized sheets and packaged into books of gold between sheets of paper covered in a dusting of rouge.

It is also important at this point to outline the three different commonly used techniques of gilding; these being water and oil gilding or the use of transfer leaf.

In the rest of this article, we are going to concentrate on water gilding as this is our most commonly used technique in restoration and conservation at Butler and Castell.

When water gilding antique furniture there are several processes required before laying gold leaf. It is imperative that the surface to be worked on is cleaned thoroughly and stabilised before applying gesso and bole. For every process leading up to the laying of the gold, it must be executed cleanly and with exacting standards to avoid any problems when gilding or finishing.

It is difficult to demonstrate exact processes in this article without going into great depth but in brief, the preparation of the surface for gilding entails the use of a rabbit skin sized base for the gesso, yellow ochre, and bole which are the three water based mediums used to prepare a surface for gilding. The gesso which is applied to the wood and built up over several applications. This is to a depth which provides a surface which can be sandpapered and then into which fine gesso cut detail can be cut using carving tools, before papering with very fine-grit sandpaper to remove any imperfections.

The next process is the application of a thin yellow ochre sealing coat which slows the absorption of water into the gesso whilst gilding. Finally, we apply the goldsize or bole which is a clay based paint. This is sandpapered and polished using fine polishing paper and bristle brushes to create a smooth and buffed surface, on to which the gold leaf will be laid.

The tools that a gilder uses to lay gold leaf are very simple. These consist of a Cushion, a knife, a gilders tip and brushes for dabbing the gold and applying gilding water or oil-based varnish. To briefly explain the gilder stores and cuts the gold leaf they are using on the cushion, the knife is used to cut the gold to a usable size. The gilder’s tip is a fine-haired, flat brush which is used to lay the gold leaf onto the surface to be gilded. Brushes are required to both wet the surface to be gilded and to dab the gold as it adheres to the surface.

The surface is wetted using gilding water, basically size and water, then the gold leaf is applied. As the water is absorbed into the gesso through the clay and the yellow ochre the gold adheres to this surface. The art of good gilding requires perfect timing, cleanliness and handling of the gold.

Once the gold has been laid and it has had time to dry the gilder burnishes highlights using burnishing stones. These are polished agate stones of various shapes and sizes which when used correctly leave a solid, bright burnished surface. The contrasting matt and burnished areas of gold enhance the beauty of a gilded object.

Once gilded and depending on the individual project the gilder will use further techniques to distress and tone the gold or blend or match the gilded repairs into the original surface.

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REEPHAM CLASSIC CAR FESTIVAL

We are looking forward to the 2019 Reepham classic car festival which takes place on Sunday 29th October. Reepham Market place is given over to an array of classic cars and bikes. This year the main theme is the eccentric and innovative design of French cars. The event takes place from 11am to 4pm and there is plenty of places to park, eat and drink around the venue.

Reepham Antiques showroom will be open from 11am to 3pm on the day of the classic car show. Please come and join us on the day where you can browse and shop for fine art, antiques, glassware and many other objects.

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About Butler & Castell

Butler and Castell opened the door to our Reepham workshop in 2001. Since this date, we have had the privilege to carry out work on some of the most collectable pieces of furniture in the world. We pride ourselves on our attention to detail and need to preserve and conserve the pieces of furniture that we work on. In this section, we will post case studies and article about projects, advice and events surrounding our business.

We look forward to sharing our story with you.

Why Buy Antiques

Furniture, there are so many styles and fashions. Many modern functional pieces at affordable prices so why buy antiques? There are several good reasons and probably many more than we will mention here but below are a few to consider.

Historical value

Antique furniture carries a story and in many cases fascinating stories. From conception to the placement you can learn about the furniture makers drawings, the use of materials, tools even the workshops that a piece of furniture was manufactured in. The individual or family that commissioned the piece and the property it resided in. There is a great deal of satisfaction to be derived from learning the provenance of a piece.

The Hunt

Many buyers and collectors enjoy researching catalogues or browsing shops and auctions to find their desired antiques. Investing your time in the pursuit of something individual and meaningful brings a great deal of satisfaction. Who knows what you may stumble across in your search!

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Practicality

Antique furniture is environmentally sustainable. In a time where we are being asked to reduce depletion of the earth’s resources, we have an opportunity to act responsibly while buying something unique and valuable.

This aside a great deal of antique furniture is incredibly practical to use in our day to day lives whether in our homes or offices.

Why Reepham is a great place to visit.

Reepham is one of Norfolk’s lesser-known gems. The town is set around an attractive Georgian market place with the Dial house hotel and restaurant and the Chimes B&B. Eat and drink at the Kings Arms public house and a couple of other eateries including V’s cafe and Diane’s pantry. There are several Norfolk antique dealers and art outlets besides Reepham Antiques including Bonhams, East Anglian office.

Other attractions in the surrounding area include the fabulous walks around Marriots way and the Wensum valley, Whitwell Station and historic houses including nearby Blickling Hall. The fabulous north Norfolk coast is forty minutes away and Norwich city centre thirty minutes away. This is an ideal centre for a relaxing break and locally there are several golf courses, fisheries, nature reserves and cycling trails.

Most importantly please come and visit us at Reepham antiques showroom!